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Bilingual singer/songwriter Soraya experienced a series of ups and downs over the course of her career, resulting in a catalog of music that chronicles that journey in all its glory and struggle
Viriato Figueira da Silva is one of the fathers of choro, a way of playing, or style, which was already defined around 1875, evolving until it constituted a genre, after 1900
Vital Lima has had his songs recorded by such interpreters as Marlene (“Rock and Roll”), Vanderléa, Simone (“Disfarce”), Ademilde Fonseca (“Coração Trapaceiro”), Elizeth Cardoso, Fafá de Belém (“Precisava Ver”), Emílio Santiago (“Amor de Lua”), Nilson Chaves, Lucinha Araújo, Lula Carvalho, Zé Renato, Zeca do Trombone, Marisa Gata Mansa (“Leopardo”), and Alaíde Costa, among others
Younger brother of composers/singers Kleiton and Kledir, Vitor Ramil had compositions recorded by several interpreters, among them Gal Costa (“Estrela, Estrela” in her Fantasia) and Zizi Possi
Argentinean band Viva Zapata was formed by singer/songwriter Roxana Amed and guitarist/composer/former Atracción Fatal Fernando Bustos, who met in 1994, shared their ideas about music, and decided to create an alternative act focusing on social issues
Puerto Rican five-piece rock act Vivanativa was formed in 1997 by ex-Zyron and Maskin Tape singer/guitarist Javier G�mez and former Ricky Martin’s guitar player Nabeel Abdulrahman
Valeria Gastaldi was born December 5, 1981 Her parents, Maria and Marcos, noticed that she was an extroverted child from a young age, with a strong and spontaneous character
Valfrido Silva was a famous drummer and composer with many successes He was the first Brazilian popular composer to enjoy an international reputation and was the first drummer to have his name printed on a record label (“Preludiando,” accompanying Carolina Cardoso de Meneses)
Latin rock band from Argentina la Vanguardia was formed in 1996 by brothers Sebastián and Leonardo Pantano, they were soon joined by bassist Martín Castro, singer Daniel Aguilar, and keyboardist Daniel Repetto, playing under the name of Ajenjo
Vânia Bastos is a privileged interpreter who appeared in the ’80s She became an amateur singer in her teens, in church choirs She moved to São Paulo in 1975 to study sociology, but Arrigo Barnabé’s successful show and album Clara Crocodilo (1980) changed her mind