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Along with contemporaries like Justin Broadrick and Mick Harris, James Plotkin first rose to prominence in the early-’90s grindcore scene associated with Earache Records before venturing into more ambitious ambient dub territory
This artist’s dedication to dance music is the reason so many people wind up out of breath on a typical party night in Ibiza In the ’90s, James Reynolds, Pete Lorimer, and Pete Doyle, among other collaborators, were creating material for S’Express and Slaves 2 the Rhythm, among other clients, cutting clods of chatter out of clubbing communication with the precision messaging of titles such as “Intercourse” and “Touch Me Here
Tadd Mullinix makes spaced-out house tracks as James Cotton, one of his many guises devoted to a specific production style This particular alias debuted in 2001 on Ghostly International with the “Mind Your Manners” single
Though he’s one of the youngest members of the Metalheadz stable, Jamie Spratling debuted back in 1992 with tracks recorded for the Planet Earth label Similar to the other Metalheadz, Majik’s 12”s are dark affairs, with some of the best drum’n’bass lines around, though he leavens the brew with jazzy flourishes, like the Spanish guitar prevalent on the flip side of his first single for Metalheadz, “Your Sound
England’s James Zabiela began DJing in 1999 and won a magazine’s “bedroom DJ” competition, which set him off on a fast path to becoming one of the better-known progressive house DJs in the U
Prolific Dutch house/trance producer and label operator Jamez built his discography with productions under numerous aliases, including Tata Box Inhibitors, PIMP, Trancesetters, Amfibian, Loophole, and Mindfunk
Jamie Hodge (aka Born Under a Rhyming Planet) grew up in Chicago, picking up technology from a computer store job and buying records from the many dance shops in the city After his mother bought him some recording equipment, Hodge soon gained a contract from Richie Hawtin’s Plus 8 label, thanks in part to Hodge’s phone call to Hawtin telling him that one of his tracks sucked
DJ Jamie Lewis (born Cem Berter) first appeared on the Swiss club scene in 1985, spinning classic disco and funk before getting wrapped up in the late-’80s birth of house, becoming one of the European scene’s major players
After some EP releases for labels such as Mosquito and an appearance on the Mille Plateaux-released Industrialsamplecoregouchbeat compilation, British producer Jamie Lidell collaborated with well-known techno producer Cristian Vogel as Super_Collider in 1999
One of the few American producers fluent in drum’n’bass during the early ’90s, Jamie Myerson explored the more melodic (if not muzaky) side of jungle and trance, in league with fellow new-age breakbeat producers like Adam F