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More known as a prolific tech-house producer who has released material on Kompakt, Harthouse, Trapez, and Audiomatique, Gui Boratto — born in São Paulo, Brazil, in 1974 — began contributing to recordings as a producer and multi-instrumentalist during the early ’90s, working with the disparate likes of Pato Banton, Steel Pulse, Desiree, Gal Costa, Garth Brooks, and Kaleidoscópio
Being a quirky coed nine-piece from Reykjavik, Iceland, Gus Gus was almost bound to inspire comparisons to the Sugarcubes, though the onset of ten years caused the group to inherit the influences of electronic fuzz and trip-hop rhythms rather than the bout of post-punk lunacy that inspired the Sugarcubes during the late ’80s
As G Flame and Mr G, Colin McBean moved away from the hard techno he had produced with Cisco Ferreira as the English duo known as the Advent After spending the mid- to late ’90s as a highly regarded duo, McBean began concentrating on a techno-influenced style of house music that retained the Advent’s knack for producing elaborate and highly textured tracks for the dance floor but that integrated the sense of soul and groove commonly associated with house
Tel Aviv-based dance music producer Guy Gerber, who incorporates the best aspects of progressive house/trance, deep house, and techno into a unique style of his own, established himself as a rising star in 2004 with “Stoppage Time,” a popular release by Bedrock Records that opened the door to a high-profile recording contract with Cocoon Recordings soon thereafter
Electronic composer and songwriter Gary Stadler combined melodic elements of worldbeat and symphonic wizardry to be one of the new millennium’s forerunners in new age music
Besides the wealth of chiselled echo-techno he’s recorded as Mike Ink, M:I:5, Love Inc and Studio One, Berlin producer Wolfgang Voigt released several albums of more expansive music as Gas
Surpassing the status of a traditional dance club, Gatecrasher transcended its geographic locale in Sheffield, England during the late ’90s, using its enormous brand equity to market a series of mixed trance CDs featuring many of the anthems it popularized
Gavin Hardkiss helped found Hardkiss Music in the early ’90s and the record label went on to release dance music from God Within, Hawke, Little Wing, and Rabbit in the Moon
Gearwhore is the alter ego of DJ and recording engineer Brian Natonski, who took the name from his obsession with top-quality recording equipment Natonski began his career as an engineer at Chicago Trax Studio, later moving to Orange County and founding his own label, Fatal Data, with his partner Shaheen
Among his many other monikers, Uwe Schmidt performed as Geeez ‘n’ Gosh, a name he applied to his glitch-house recordings for Mille Plateaux Beginning with My Life With Jesus (2000), Schmidt took the motifs of gospel house — Christian rhetoric and celebratory house music — and interpreted it in a glitch style