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A classically trained cellist and former session vocalist, Andrea Parker’s brilliant darkside electro-techno productions for Mo’ Wax, R&S and Sabrettes displayed an artist with impeccable programming skills but also an increasing desire to integrate her own training into the mix
More than two decades after he rose to the top of the German pop scene, Andreas Dorau continues to be one of Germany’s top vocalists His single, “Girls in Love,” featuring English lyrics, became an international hit in 1998, topping the pop charts in Belgium
This brilliant, yet little-known, German artist has a flair for combining refined ambiences with driving funk bass lines and rock beats His well-constructed melodies and improvisations are often quite catchy, while his song titles and symbolic sonic imagery are lined with social commentary
Prolific output and remarkable creativity earned Andreas Tilliander enormous accolades from the international glitch-techno community during the early 2000s The Swedish producer with a taste for hip-hop inflections first established himself at home in Stockholm
Not nearly as talked about and analyzed as Moodymann, his key supporter, percussionist/producer Andrés nonetheless built an extremely respectable catalog of downtempo house productions throughout the late ’90s and early 2000s
An esoteric composer and musician, Andrew Coleman lives and records on his boat He is a founder of the British Bovinyl label and also records under the name Animals on Wheels
Based in Halifax, Nova Scotia, Canadian electronica artist Andrew Duke has been active since the 1980s as a music writer, radio producer, webmaster, and recording artist He kept mostly to himself, self-releasing his albums quietly, until the late-’90s when the experimental electronica culture boomed
Producer Andrew Liles crafts unsettling soundscapes of dark ambience comprised of electronic tones and stereophonic acrobatics The Ohio-based Infraction label released Liles’ An Underworld album, a moribund and profoundly disquieting recording of sadness and beauty
The man behind Sad Rockets and a member of Bergheim 34, Andrew Pekler began recording under his own name in the early 2000s Station to Station, released by Scape in April of 2002, was born due to a culmination of a number of things: Pekler’s move from California to Heidelberg, his increased interest in electric jazz, and acquaintances with saxophonist Elliot Levine and bassist Akira Ando (Pekler met Levine at a Bergheim 34 show in Philadelphia)
Prior to issuing the full-length Fearsome Jewel on Kompakt in 2003, New Zealand producer Andrew Thomas was responsible for a limited-edition release (100 copies) on Involve titled So You Wanna Be a (Death) Star